Tag Archives: using UV glazing

The FAE Design Blog Table of Contents:

As a service provided by FAE, the following informational posts cover a series of art related subjects, designed to demystify working with fine art, and tips on how best to use the FAE Website.  The FAE Design Blog table of Contents has been divided into the following categories:
  1. Most Recent Post

  2. Safe Handling of Artwork

  3. Artwork Installation

  4. Framing Artwork

  5. Fine Prints

  6. How to get the most out of the FAE Website

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1. Most Recent Post:

Hanging and Framing FAQ’s

 

 

2. Safe Handling of Artwork:

An image of a painting carefully placed in the back seat of a carPractical Tips for Safely Transporting Artwork
An image of artworks carefully placed on on a bedTemporarily Storing Artwork: A Case Study
an image of a wall of shelves holding print boxesFour Artwork Storage Solutions

 

 

3. Artwork Installation:

outdoor image of a line of figure sculptures with arms raisedSiting Sculpture, Part One: Overview

 

facade of a modern house with a round sculpture sited in the front yardSiting Sculpture: Part Two, A Case Study

 

4. Framing Artwork:

image of a wall of frame samplesThe Importance of a Proper Frame

 

an image of a graphic showing the entire spectrum of viable and non-visible lightWhen to Use UV Control Glazing
Two images showing an image of a flower behind reflective and reflection free glassReflection on the Problem of Reflections

 

5. Fine Pints:

a panoramic image of the press room of a fine art publisherThe Value in Fine and Reproductive Prints
an image showing the print and print edition numberWhat Does That Fraction Mean on a Fine Print?

 

6. How to get the most out of the FAE website:

An image of the entrance to the Valley House Gallery Sculpture GardenWelcome to FAE!
See art on your wall with the app.Announcing the FAE App, now available from iTunes!
Image showing the FAE app on the apple App StoreWill It Work in My Space?

 

Composite image showing how a presentation can be made from FAE dataAnatomy of a View

 

Image showing painting over fireplaceCreating Stunning Presentations with FAE

 

 

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To see all available FAE Collector Blog Posts, jump to the Collector Blog Table of Contents.

Sign up with FAE to receive our newsletter, and never miss a new blog post or update! 

Browse fine artworks available to purchase on FAE.  Follow us on FacebookInstagram, or Twitter to stay updated about FAE and new blog posts.

For comments about this blog or suggestions for a future post, contact Madeleine at mbogan@fineartestates.com.

When to Use UV Control Glazing

Have you ever had a framer tell you that you can protect a work on paper from fading just by putting UV (Ultraviolet) protective glass or Plexiglas on the artwork?  Even though your framer is normally the one that suggests when to use UV control glazing, what they tell you may be truthful without being accurate regarding its effectiveness in your situation.

What they should have said is that depending on where a work on paper is hung, UV protective glass and Plexiglass can help protect it from fading. Ultraviolet light is the most damaging part of the light spectrum to fugitive pigments on paper and other materials that are prone to fading, like fabrics and furniture. High end UV protective glazing material is rated to block up to 99% of the Ultraviolet rays hitting an artwork’s surface. Just remember that UV may be the worst part of the spectrum, but it is only a small part of the spectrum that can cause damage. A greater issue is the overall amount of visible light that is hitting the artwork and the amount of time it is getting hit. Think of it as slow or fast fading.

• Little light over an extended period of time = slow fading
• A lot of light over a short time = fast fading

Image of graph showing the entire know light spectrum. What is most important here is the Ultraviolet and viable sections of the light specturm.
Ultraviolet light, the most damaging part of the light spectrum to works on paper, is in the sweet spot between visible light and x-rays. This means that UV is in the part of the spectrum that is higher energy than visible light but the rays do not go through the artwork like x-rays will. The UV rays penetrate the surface and are absorbed by the paper like a sunburn on skin. Because UV light is not visible to humans, removing it from the spectrum by using UV control glazing does not have much effect on the fidelity of an artwork.

If a work on paper was to be hung in a lightless closet, with properly controlled temperature and humidity that is never opened, it does not matter if it has UV protective glazing or not as it will not fade, at least not from light exposure.

If a work on paper is hung in a bright living room with big curtain-less picture windows looking out over a lake that reflects light into the room, even with UV glazing and protective windows the artwork will fade over time and the paper will darken. In the trade, when referring to the darkening of paper by excessive light, an art dealer would say that the artwork has been “light struck.”

two images that show how exposure to light can fade colors in a print.
Left image is unfaded and right image is a composite image showing faded work on the left side and unfaded work on the right.

For most light sensitive materials, light damage is cumulative and irreversible. So, what are the best ways of minimizing the effects of light damage to an artwork on paper?

Museums have different regiments they follow regarding the amount of light exposure each work on paper can have. Each work is normally evaluated to determine how sensitive it is. It is then assigned an allowable exposure schedule, amount of time it can be on view, and a maximum allowable light level for the duration of that time. For example, a sturdy work might be allowed to be on exhibit for 4 months at a specific light level and then rest for two years, or for 6 months at that light level and rest for three years. A more fragile work may require lower light and less time on view.

Don’t Panic! The Museum protocol I have just described is designed to meet the museum’s charge to protect what they have collected or are exhibiting.  Your clients want something they can hang on the wall and enjoy for the next 20 years. So, to accomplish this goal I suggest the following:

• For works on paper that you or your client consider valuable and want to last as long as possible, definitely use UV protective glazing as it greatly reduces the most damaging aspect of the light spectrum.

• Hang in rooms with minimal light during the day like hallways or bedrooms that are not in continuous use and are normally kept dark.

• Keep lights off when rooms are not in use.

• If an artwork is hung in a room that has windows that allow a lot of light into the room during the day, add blackout curtains to the window that can be closed when no one is using the room. Codes for new buildings in most areas require that windows block a lot of the light coming in for reasons of energy conservation. This can greatly extend the life of curtains, rugs, and furniture as well as the art by reducing the amount and intensity of light entering a room and therefore slow fading.

• Have blackout fabric covers made for the artwork in rooms that window curtains are not an option or skylights let light in that cannot be blocked. They can incorporate a weighted rod at the top that can be draped over the top of the frame with the fabric hanging over the front of the artwork. This will allow quick access to works when you want to view them and they can remain hung indefinably without overexposure to light.

These two images show how opaque fabric covers can protect an artwork from fading.  

• Keep these works out of often used bedroom bathrooms and kitchens. These rooms often are subject to high humidity and temperatures, and other issues with that I will address in a future post. They are also rooms that would normally be well lit and where you would not normally want artwork that needs protective covers to keep them from fading.

• Place UV tube covers over your fluorescent lights. Of the three main light sources in homes and offices used today – Fluorescent, Incandescent, and LED – Florescent light, for the same amount of lumens output, is the most damaging because it produces the most UV light.

• If LED lights are producing the same number of lumens as your incandescent bulbs do, they are causing an equal level of fading to your works on paper.

One of the main manufacturers of conservation-grade UV protection glazing is Tru Vue. They have an excellent highly informed and well-educated customer support staff. If you need clarification, again no pun intended, as to whether UV protective glass and Plexi will work in a specific application, give them a call.
Tru Vue help line: Phone: 708-854-2700
Email: fineart@tru-vue.com

Note:  Not that it is my field but I was informed by the folks at Tru Vue that one of the most frequent calls they get is from signature collectors who have used their products and have had their valuable signatures fade from being out on display in rooms that have too much light.  Their glass was doing what it was supposed to but many framers are often not aware that UV glass alone will not stop fading, it only helps to slow it down.  The recommendations I have made above should help with this issue.   Another interesting thing they said is that often, ink signatures seem to fade very quickly to a certain point and then the fading process seems to slow.  So the maximum amount of damage happens in the earliest part of their exposure.

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For more information about Framing Artwork, visit these other blog posts:

image of a wall of frame samplesThe Importance of a Proper Frame
Two images showing an image of a flower behind reflective and reflection free glassReflection on the Problem of Reflections

 

To see all available FAE Design Blog Posts,  jump to the Design Blog Table of Contents.

To see all available FAE Collector Blog Posts, jump to the Collector Blog Table of Contents.

Sign up with FAE to receive our newsletter, and never miss a new blog post or update! 

Browse fine artworks available to purchase on FAE.  Follow us on FacebookInstagram, or Twitter to stay updated about FAE and new blog posts.

For comments about this blog or suggestions for a future post, contact Madeleine at mbogan@fineartestates.com.